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Brief
Fandango Media

Fandango Media

Entertainment Media & TicketingPublisherfandango.com

Fandango Media connects advertisers with high-intent entertainment audiences across ticketing, review, and VOD touchpoints, leveraging first-party data from the full moviegoer journey — from discovery to purchase.

Last updated Oct 5, 2026 by ATDb automated enrichment · Connections updated Oct 22, 2026

Founded
2000
HQ
Los Angeles, California, United States
Connections
9

AI-drafted from public sources15 sources cited

At a glance

Employees
501-1000
Revenue
$200M-$500M
1integrations2corporate family1acquisitions

About

Dominant U.S. movie ticketing platform and entertainment content network, uniquely positioned at the intersection of ticketing commerce, review aggregation, and transactional VOD

Founded in 2000 and headquartered in the United States, Fandango Media is one of the most recognized brands in movie ticketing and entertainment content. The platform enables consumers to discover, review, and purchase tickets for theatrical releases, while its portfolio of properties — including Rotten Tomatoes (the dominant film review aggregator), Movieclips (a massive library of licensed film clips on YouTube), and Fandango at Home (the video-on-demand service formerly called Vudu, which absorbed FandangoNOW in 2021) — gives it broad reach across the entertainment funnel from discovery to purchase. As of January 2026, Fandango Media operates as a subsidiary of Versant Media Group following a spinoff, marking a significant shift in its corporate ownership structure. In the AdTech ecosystem, Fandango Media holds a distinctive position as a first-party data owner with deep insight into moviegoer intent and behavior. Its ticketing platform captures high-intent purchase signals, enabling advertisers — particularly film studios, streaming services, and consumer brands — to reach audiences at the moment of entertainment decision-making. Rotten Tomatoes adds a content and audience layer, attracting tens of millions of monthly visitors who are actively researching entertainment choices, while FandangoNOW's transactional VOD model provides additional data on viewing preferences and purchase behavior. Fandango Media's competitive advantages lie in its unique combination of ticketing commerce, editorial content, and video distribution, which together create a rich, consent-based first-party data asset. Advertisers can leverage movie-theater audience targeting, genre-based segmentation, and cross-platform reach across Fandango's owned-and-operated properties. The company competes with other entertainment and ticketing platforms for advertiser dollars, but its scale in film-specific audience data and its ownership of Rotten Tomatoes — one of the most trusted entertainment brands online — differentiate it meaningfully in the market.

Business model

Marketplace, Media, Advertising

Target market

Enterprise, Film Studios, Consumer Brands, Streaming Services

What they offer

  • Fandango Ticketing

    Online and mobile movie ticket purchasing platform covering thousands of theaters across the United States, capturing high-intent consumer purchase signals.

  • Rotten Tomatoes

    The leading film and TV review aggregator, attracting tens of millions of monthly visitors researching entertainment choices and providing a premium editorial advertising environment.

  • Fandango at Home

    Transactional and subscription video-on-demand service (formerly Vudu, rebranded after absorbing FandangoNOW in 2021), offering digital movie and TV purchases, rentals, and streaming.

  • Movieclips

    One of the largest licensed movie clip libraries on YouTube, providing broad video reach and brand-safe contextual advertising adjacency for entertainment marketers.

  • Fandango Advertising

    Audience targeting and advertising solutions for film studios and consumer brands, leveraging first-party ticketing and content data for moviegoer segmentation.

Key features

High-intent first-party ticketing data for audience targetingRotten Tomatoes editorial and audience review platformTransactional VOD with purchase and rental behavior dataGenre and title-based audience segmentationCross-platform reach across owned-and-operated entertainment propertiesMovieclips YouTube channel for broad video advertising reachMobile ticketing app with push notification marketing capabilities

Use cases

Film studio campaign targeting for theatrical release audiencesStreaming service subscriber acquisition via entertainment-intent audiencesConsumer brand advertising adjacent to high-engagement movie contentGenre-based audience segmentation for entertainment and non-entertainment advertisersRetargeting moviegoers who browsed but did not purchase ticketsContextual advertising on Rotten Tomatoes review pages aligned to specific titlesVOD release window marketing via Fandango at Home placements

Customer segments

Major film studios (Disney, Warner Bros., Universal, Sony, Paramount)Streaming services (Netflix, Amazon, Apple TV+)Consumer packaged goods brands targeting entertainment audiencesAutomotive and QSR brands seeking premium entertainment adjacencyIndependent and specialty film distributorsTheater chains and exhibition partners

Tech & specs

Technology stack

Cloud infrastructure (AWS)Mobile apps (iOS, Android)YouTube API integration (Movieclips)Data management and audience segmentation platformsRecommendation and personalization enginesProgrammatic advertising infrastructure

Security & compliance

CCPAGDPRCOPPA

Deployment

Cloud

API

Limited

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