Fandango Media
Fandango Media connects advertisers with high-intent entertainment audiences across ticketing, review, and VOD touchpoints, leveraging first-party data from the full moviegoer journey — from discovery to purchase.
Last updated Oct 5, 2026 by ATDb automated enrichment · Connections updated Oct 22, 2026
AI-drafted from public sources15 sources cited
At a glance
- Employees
- 501-1000
- Revenue
- $200M-$500M
About
Dominant U.S. movie ticketing platform and entertainment content network, uniquely positioned at the intersection of ticketing commerce, review aggregation, and transactional VOD
Founded in 2000 and headquartered in the United States, Fandango Media is one of the most recognized brands in movie ticketing and entertainment content. The platform enables consumers to discover, review, and purchase tickets for theatrical releases, while its portfolio of properties — including Rotten Tomatoes (the dominant film review aggregator), Movieclips (a massive library of licensed film clips on YouTube), and Fandango at Home (the video-on-demand service formerly called Vudu, which absorbed FandangoNOW in 2021) — gives it broad reach across the entertainment funnel from discovery to purchase. As of January 2026, Fandango Media operates as a subsidiary of Versant Media Group following a spinoff, marking a significant shift in its corporate ownership structure. In the AdTech ecosystem, Fandango Media holds a distinctive position as a first-party data owner with deep insight into moviegoer intent and behavior. Its ticketing platform captures high-intent purchase signals, enabling advertisers — particularly film studios, streaming services, and consumer brands — to reach audiences at the moment of entertainment decision-making. Rotten Tomatoes adds a content and audience layer, attracting tens of millions of monthly visitors who are actively researching entertainment choices, while FandangoNOW's transactional VOD model provides additional data on viewing preferences and purchase behavior. Fandango Media's competitive advantages lie in its unique combination of ticketing commerce, editorial content, and video distribution, which together create a rich, consent-based first-party data asset. Advertisers can leverage movie-theater audience targeting, genre-based segmentation, and cross-platform reach across Fandango's owned-and-operated properties. The company competes with other entertainment and ticketing platforms for advertiser dollars, but its scale in film-specific audience data and its ownership of Rotten Tomatoes — one of the most trusted entertainment brands online — differentiate it meaningfully in the market.
Business model
Marketplace, Media, Advertising
Target market
Enterprise, Film Studios, Consumer Brands, Streaming Services
What they offer
Fandango Ticketing
Online and mobile movie ticket purchasing platform covering thousands of theaters across the United States, capturing high-intent consumer purchase signals.
Rotten Tomatoes
The leading film and TV review aggregator, attracting tens of millions of monthly visitors researching entertainment choices and providing a premium editorial advertising environment.
Fandango at Home
Transactional and subscription video-on-demand service (formerly Vudu, rebranded after absorbing FandangoNOW in 2021), offering digital movie and TV purchases, rentals, and streaming.
Movieclips
One of the largest licensed movie clip libraries on YouTube, providing broad video reach and brand-safe contextual advertising adjacency for entertainment marketers.
Fandango Advertising
Audience targeting and advertising solutions for film studios and consumer brands, leveraging first-party ticketing and content data for moviegoer segmentation.
Key features
Use cases
Customer segments
Tech & specs
Technology stack
Security & compliance
Deployment
API
Limited
- 2000 · Founded
- 2016Absorbed Rotten Tomatoes
- 2026Came under Versant Media GroupCurrent parent